Invitation only

Taking center stage today is Matisse, that glorious virtuoso, giving it up for these talented ladies. The fun of this painting is the way Matisse uses pattern and color to “play” off of one another, creating an energetic, inviting composition.  He visually mimics the beat of music with rhythmic patterns that echo and repeat throughout the painting.  So lets turn up the volume- hey!

The first rhythm I notice is the series of palm leaves swaying behind the women. If you let your eye follow each tendriled finger, up and down, and up and down each leaf. . . you will start to fall into a lilting beat. Next, notice the dancing reds. The staccato saw tooth pattern of the couch’s red throw echos the triangular trim of the purple pants.  The yellow squares of the rug steady the background, thumping out a deep base line.

Watch the melody played with the curves of the women’s bodies. Look at the yellow woman– the curves of her shoulders, her knees, her hands. Follow those curves to the right to the purple lady’s bottom, knees and feet. A punctuation of circles of breast, of guitar and apple. Repeat.

The green of leaves refrains down through the furniture of the couch and table. Yellow dress plays yellow guitar plays pants pattern.  And my favorite, the “XOXO” pattern in the black ottoman. The colors play like notes and the patterns play like rhythm.

Despite their masculine solidity, these women are entirely feminine and welcoming, at ease against a background of high-octane abstraction. Despite the static heft of the figures, an energy vibrates. Relaxed and happy, you really hope they’ll invite you to stay.. .and listen to some real music.

One Comment on “Invitation only”

  1. SigO says:

    this painting is simply fabulous. Matisse might be the best of all time, well he and his rival are at least neck and neck. it’s also interesting to see the migration of my taste from the early days and the impressionists as you began dragging me around to now the post-impressionists like Picasso and Matisse (assuming I’m using art history labels right). I think the sensuality of their subject matter is the impetus. I think I’ll just hang out here with the painters and their many lovely ladies for a while…

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