Drive he said
Posted: December 13, 2012 Filed under: Galleries, Private Collections | Tags: art, car, contemporary art, darkness, driving, Francesco Clemente, life, modern poetry, poetry, Robert Creeley, what I learned in ModPo, why do I feel like this at Christmas? 2 CommentsRobert Creeley, “I Know a Man” from Selected Poems of Robert Creeley. Copyright © 1991
Watch the structure of this poem – how the words veer and weave. The poem itself feels like a car on the edge of control. Speeding between desperation and the need for some kind of personal efficacy against the unknown (or whatever you interpret as the “darkness”).
Clemente paints Creeley with one eye open, a wink and a nod perhaps to both his clear insight as a major modern poet and his characteristic humor in confronting life’s big hairy questions.
Enjoy both friends!
Obstacles
Posted: December 8, 2012 Filed under: Galleries, Private Collections | Tags: Alexandra Eldridge, art, bird, contemporary art, cosmic egg, egg, elephant, Ganesh, Ganesha, life, obstacles, Russell Collection, Santa Fe artists, women artists Leave a commentWhich came first -the elephant or the egg?
I like obstacles. They tell on me. Study your obstacles – what tale do they tell about your thinking? Elephantine obstacles require a great force of self to move, but many are completely mind made up.
In this totem, the elephant balances on a lavender egg. The elephant, remover of obstacles – is at once young and old – timeless leathered skin defined by burls in the underlying wood.
In motion. Maybe she was laid off – again. Maybe he holds divorce papers – again. Maybe she heads a faltering company or he’s losing a major client. These two-ton obstacles to happiness force us into motion. This elephant puts one uneasy foot in front of the other and though vulnerable, balances between hope and despair. She will make this egg take her where she wants to go. Perhaps finding (while plodding) a new direction. We don’t know how, but she will.
The bird, however, is stuck. Staring down a small black egg entirely avian made. Some dark ritualized judgement grounds her from flying free. A perceived tragic flaw, “I’m unlovable,” or “I’ll never reach my goals.” “I’ll always be _________. “I’m the worst ________.” Her wings pinned back. Cawing complaint.
But I see potential in this obstacle egg. Potential to find the thinking flaw. Black egg thoughts have a shady “all-or-nothing” ultimatum-ish type character – a dead give away. Hold on! I’m not the *worst* parent in the world. I messed up this time, but next time I’ll handle it differently. (deep breath)
Now we flex our wings. Now a dark egg cracks. Opens up to new and brightly life.
Free as a bird
Posted: November 30, 2012 Filed under: Galleries, Private Collections | Tags: Ash Almonte, contemporary art, creativity, how creativity works, life, limits, restrictions, the value of limitation Leave a commentFree as a bird.
Yet a wing is subject to wind.
I like the color palette of this painting. I like vibrant but restrained – to watch what happens when choice is self-restricted. Maybe all workable freedom slipstreams on limitation.
Much maligned Boundary often brings with itself a double dose of the Creative. Because you can focus on the intricacies a particular problem (or medium) rather than the massive weight of what to choose. That limitation frees up lots of bandwidth. It’s an interesting conundrum of life, standing at the intersection of spontaneity and restriction.
Someone asked me the other day, “What would you do if money were no object.” And really I couldn’t even answer. I have no idea what I would do. Be immobilized by the vast space of potential. Wait for the wind to lift me, sightless and hurl me forward. Then maybe some necessary brilliance would unfurl. Because it seems my creativity only works against a foe -some absurd rule that deserves a good right-brained spanking.
Oh, there’s a chandelier underneath those washed and dripping strokes. A little structure under all that freedom, to hold it up – to give it a roosting place.
Or what?
Posted: November 20, 2012 Filed under: Galleries, Private Collections | Tags: abstract art, art, art fix, binarism, choices, contemporary art, decision making, Heimo Zobernig, life, limits, option anxiety, or 4 CommentsAllow me a moment to comment on this confounding binarism I find sandwiched between my toes.
It’s often called “black and white” thinking – the penchant of some people (me) to frame solutions in “either/or” scenarios. Do you want the pink one or the blue? This is either good or it’s bad. It’s the best thing that ever happened, or the worst. Whitman or Dickinson? Male or Female?
I have a major problem with binarism – it’s FALSE. The word “or” should be the warning light – the wake-up-and-smell-the-coffee someone is boxing up the choices. I don’t want cream or sugar – I want both, or stevia, maybe tea. A nice cup of lapsang souchong, perhaps? If we can generate multiple choice in our drinks, what about for other life challenges.
OR limits creativity to generate multiple solutions. I regularly pick up an everyday object (a mug) and think, “what could this be other than mug?” (vase, penny jar, pencil stand, plant pot, light fixture, toad house, soup or cereal bowl, jewelry holder, baling bucket, soil scoop, bug catcher, metaphysical mood meter (is glass half empty/half full?), inspiration piece, homing beacon)
I can see dividing imagined best case/worst case scenarios into a tidy binarism. To envision yourself toward a goal (sometimes frustrating) or to prepare yourself for the worst. Possibly helpful.
What about in-betweens? Hello! options not mentioned. Consider your job, done in a different way, in a different place. What’s the yellow solution, the blue idea, the green daydream? What if your choosing were colors, we wouldn’t settle for just black or white.
Yes there’s something called option anxiety – so we distill choices down to two. To short cut an otherwise too lengthy decision making process. Point taken. But.
Do you want limits or unlimited ? I’m kicking OR to the curb.
Gobble
Posted: November 16, 2012 Filed under: Galleries, Private Collections | Tags: art, art fix, Chicago Imagist art, contemporary art, holiday stress, Miyoko Ito, please tell me this all means something, Thanksgiving, women artists Leave a commentWhere are you underneath
the holiday – yellow dogpile lines?
lemon lips. Green bean, durkee onion kiss.
I smell the turkey.
Is it done?
cavort you sweet potatoes
Stuff, Stuffed, Stuffing
and thanks for
10 am
Posted: November 11, 2012 Filed under: Museums, Private Collections | Tags: 10 AM, art, art fix, contemporary art, hand paintings, hands, help, helpers, Louise Bourgeois, morning, sacred Leave a comment(Series of hand paintings Louise did about the daily arrival of her long time assistant Jerry)
10 am is when you come to me.
when the clockbeast, its too slow
hands finally pass on
when my toes press to open sand
when this aged crust
strips away to white horizon
the air breathes my name
fingers unbind
your hands bring me yet
sacred red hours
Dish
Posted: November 3, 2012 Filed under: Galleries, MOMA, Private Collections | Tags: art, art fix, color, color theory, contemporary art, Josef Albers, quotes, square Leave a comment“I’m not paying ‘homage to the square’. It’s only the dish I serve my craziness about color in.”
Josef Albers (1888-1976)